this old building

I hear many different sounds and noises in the place where I’m living at the moment. The couple upstairs and I keep similar night-owl hours. For me that’s a good thing, because she likes running in her apartment. And even though she’s not light-footed, it’s not annoying. It strikes me as whimsical to run in your apartment when you’re an adult. Besides, I know I have dues to pay because when my children were young, they often ran around our apartment with a soccer ball at their feet, especially Michael who didn’t seem able to move without one. Our downstairs neighbors, three different ones in the time we were there, never complained and always smiled and spoke when they saw us, but now I know how it must have felt.

One day in this old building, my sweet next door neighbor developed bronchitis and coughed the night away. At first I couldn’t place where it was coming from, but when she left for four days all was quiet on the coughing front. On her return it began again. I would have brought her a cup of tea, anything to help the cough, but I know her apologies would never have stopped had she thought she was disturbing anyone. This sound had to be waited out.

Six days a week the office phones ring loud and clear downstairs. Some sounds are easily heard – voices are a murmur, but a laugh is clear. And the pipes in this old building always communicate when they’re working. It’s easy to get used to the pipe noises, but it’s jarring at 3am when someone turns on the shower. And no one can ever sneak into this building. The stairs are old and squeaky and always announce someone’s arrival.

Colin Wilson wrote about Ouspensky in one of his books. He wrote that Gurdjieff had taught Ouspensky about self-remembering. It’s about being aware of yourself and at the same time being aware of what you’re looking at. Ouspensky would walk around St. Petersburg in Russia late at night, and practice self-remembering by noting buildings, small objects, etc. The more he practiced the more he felt that these things were aware of him. After awhile he could sense their history. He said, “they were living beings, full of thoughts, feelings, moods and memories.” That’s when he “learned that everything indeed has a spirit. . . .”

And so, this old building has a feel of its own. What is its history? What are the secrets it’s keeping? Who are the people who built it? Sometimes when you enter a building there’s a feeling of something not being quite right. This one feels right at the moment. And even though I’m not able to sense its history, I’m thinking that perhaps it had a good one.
www.gurdjieff.org/foundation.htm
www.ouspensky.info

a world of contrasts

Yesterday while reading the New York Times it suddenly dawned on me what a world of contrasts ours is. There was a photo of a child lying on his side at a Mozambique clinic, and under the photo it said he had malaria. It went on to say that, “In Africe, the disease kills 3,000 children each day.” On the next page was a photo of a fisherman on the Nile in Cairo. Under the photo were the words, “men like him live by their wits and earn a few dollars on a good day.” And there were similar photos. Then I noticed the ads of beautiful products by Prada, Chanel, Mikimoto, Tiffany & Co., Coach, Gucci, etc. next to the photos. At that moment those ads alongside the photos seemed completely inappropriate. But we accept these contrasts. We see them, but we really don’t – except when something nudges us to see beyond the newspaper page.

Many families dine with the TV and its news of homicide, mayhem, war-torn bodies, children with guns. Eating and watching and listening to this must do something to the spirit of the one watching. And so this is the other side of the coin – seeing, but unable to help.

I know I’m not going to Mozambique, or the Nile to see if I can somehow make a change. But then, these kinds of photos continue to remind us of the vast numbers of people in the world who suffer day after day without any hope of change coming any time soon.

In The Four Agreements by Don Miguel Ruiz, there’s a chapter called Always Do Your Best. Maybe that’s an answer. Wherever we find ourselves, in whatever situation we’re in at the time, if we always do our best we’re contributing to helping the world. And one day, if we find ourselves able to help on a mass scale, we’ll step up and do our best – wherever we are; we do our best.
www.miguelruiz.com

kurosawa

It’s a new month. What will it bring? What do you want it to bring? I’m going to sit here for a few minutes, and think about one thing to do this month that I’ve not done before. That shouldn’t be difficult based on the choices we have in this wonderful world. I just remembered why I’m thinking this way; it’s getting clearer as I go along. I saw Akira Kurosawa’s great movie Ikiru. To be honest, it’s probably not for everyone, but that can be said about most movies. Maybe some people will think it’s too slow. Keep in mind though that the way it unfolds is its beauty. If you’re used to fast-paced movies that leave your mind on edge, and in a fog sometimes, Ikiru could be a delightful change. There’s one scene that will remain in my memory for a long time; it’s simple and beautiful, a different kind of beauty that’s not easy to describe.

While I’m thinking about the month of March, maybe you’ll think about getting the movie. I have a feeling you’ll find your own reasons for enjoying it. www.akirakurosawa.info